Filed under: Methodology
While going through an old projects folder, I (Ken) happened upon a handful of correspondence from our very own Rob Sevier as we struggled to find our footing in those first two years. A few prescient bits of that correspondence follow.
We briefly flirted with the idea of licensing major label catalog, Rob was less than enthusiastic:
From: Rob Sevier
Subject: Re: WEA List
Date: February 23, 2004 12:26:18 AM CST
To: Ken Shipley
These lists are like fucking dollar bins. Here are the meager possibilities:
Elektra
KILROY, PAT LIGHT OF DAY EK 7311
NOONAN, STEVE STEVE NOONAN EK 74017
ST. JOHN, BRIDGET ASK ME NO QUESTIONS EK 9101
ST. JOHN, BRIDGET SONGS FOR THE GENTLE MAN EK 74104
Warner
VALLE, MARCOS BRAZILIANCE 1654
Atlantic
ALEXANDER, HAROLD RAW ROOT
FINCH GLORY OF THE INNER FORCE ATL SD 36124 (if this is the band I think it is.)
RASPUTIN’S STASH RASPUTIN’S STASH ATL SD 9046
Boddie’s optimistic beginnings:
From: Rob Sevier
Subject: New possibility
Date: January 8, 2006 1:24:17 PM CST
To: Ken Shipley
Finally, a letter I was BCC’d on. Our first communique with Lou Ragland, regarding a widely circulated mixtape
Subject: Hot Chocolate
Date: January 28, 2004 8:06:55 PM CST
To: Lou Ragland
BCC: Ken Shipley
I received your email from my friends over at [redacted]. I’m glad to hear from you, until yesterday I had no idea who made that song, and it’s one of my favorites. The cd that you heard was a copy of a legendary mixtape that has been passed around for years and has been broadcast on the radio several times. Almost all the artists and song titles are unknown (to me, at least.) I’m curious to hear more about your music and life, so please get in touch and let’s talk about how we can work together in the future.
Filed under: Los Nombres
Staff slow-talker Jon Kirby took a minute (which takes him seven minutes) out of his workday to speak with Edgar Baca about Asterisk’s latest release, Los Nombres. Baca, along with co-host Charly Garcia, pilot (((SONORAMA))), an active entity in Chicago’s musical community, celebrating global cosas nuestras on WRTE 90.5-FM and through their Discoteca Tropical party at Maria’s Community Bar. For needle drops and Southern drawls, check out this segment on our latest release, available for purchase here.
Filed under: A Red Black Green Production, Eccentric Soul, R. Jose Williams
You may have discovered some difficulty in acquiring the handful of singles issued by R. Jose William’s New Directions label, even if you happen to dwell in the District of Columbia where they were theoretically distributed. Distribution problems will hamper you no longer… East Coast Connection’s “Summer In The Parks” and Promise’s “I’m Not Ready For Love”, alongside 17 other songs emerging out of Jose Williams’ production laboratory, will be available at your local record vendor and played by any discerning disc jockey in your town.
A Red Black and Green Production is a unique presentation of soul recordings between 1971 and 1975 that emerged from the fecund Washington D.C. soul scene. They are not linked because they were distributed by the same record label or feature the same artist, or recorded at the same studio, or even pressed at the same plant. They are linked because the same magician established their sound. R. Jose Williams moved from studio to studio and label to label, but his brilliant skills were the only necessary ingredient in the extraordinary recordings he produced. 041 Eccentric Soul: A Red Black Green Production is the missing link between the greatest sessions produced in America’s capitol city.
Filed under: Codeine, Newsworthy | Tags: All Tomorrow's Parties, Codeine, Primavera
Late last year we issued a press release about a new direction Numero was going in: The 1990s. Alright, it didn’t explicitly say that, but it was implied in the content. On May 8th 2012 we’ll be reissuing the near-complete works of the seminal “slowcore” pioneers Codeine, and we’ll be setting a new standard for the modern reissue as a result. Their three albums for Seattle’s Sub Pop label, 1990′s Frigid Stars LP, 1992′s Barely Real, and 1994′s The White Birch, have been given the full Numero treatment, in a package that rivals our Boddie box.
All three double albums will be sold separately, or you can buy them together as the deluxe box set: When I See The Sun. We’ll be announcing a pre-order for the box shortly, and the first 500 will come with a bonus 45. Watch this spot for details.
The contents:
Frigid Stars LP
A
1. D
2. Gravel Bed
3. Pick Up Song
4. 3 Angels
5. New Year’s
B
1. Second Chance
2. Cave-In
3. Cigarette Machine
4. Old Things
5. Pea
C
1 Castle (SOS Demo)
2 Skeletons (SOS Demo)
3 Three Angels (SOS Demo)
4 Corner Store (SOS Demo)
5 Summer Dresses (SOS Demo)
D
1 Pea (Acoustic)
2 Second Chance (Demo)
3 Pickup Song (Demo)
4 Cave-In (Demo)
5 Kitchen (SOS Demo)
Barely Real
A
1. Realize
2. Jr
3. Barely Real
B
1. Hard To Find
2. W.
3. Promise Of Love
C
1 JR (Dessau Demo)
2 Hydroplane (Live)
3 Wird (Dessau Demo)
4 I Wonder (Dessau Demo)
D
1 Tom (Dessau Demo)
2 A l’Ombre de Nous
3 Cracked in Two
4 Realize (Alternate take)
5 Broken-Hearted Wine
The White Birch
A
1. Sea
2. Loss Leader
3. Vacancy
4. Kitchen Light
5. Washed Up
B
1. Tom
2. Ides
3. Wird
4. Smoking Room
C
1 Median (Peel Session)
2 Loss Leader (Peel Session)
3 Sure Looks That Way (Peel Session)
4 D (Live)
D
1 Atmosphere
2 Something New
3 Ides (Demo)
4 Smoking Room (Demo)
Additionally, a CD of the same material will accompany each album, packaged in a manner that is respectful of the object—not just thrown in as an afterthought.
Lastly, the band has announced a handful of dates to support the re-release of their catalog.After that, they go back in the box for another 20 years. Three dates have been confirmed, with another dozen or so club gigs to follow:
May 26 London – All Tomorrow’s Parties
June 1 Barcelona – Primavera
June 8 Porto, Portugal – Primavera Porto
Check out the SF Weekly article.
Released back in 2007, The ABCs of Kid Soul was damned by the general perception that we had just released a novelty record. Five years later, the lack of support from the Dr. Demento show proves otherwise. Instead, it continues to haunt the listener, and as their kids grow older (or are born in the first place) it resonates more and more. Ryan Foley from the SF Weekly shares some of his meditations on the phenomena that we researched and presented in our most eccentric non-Eccentric Soul release.
“I think we’re all familiar with how it works: You were that great swimmer in high school and you went to state. But then you never went any further with it. You just moved on, tried to avoid being disappointed. It was all about maintaining a good perspective on things.”
Filed under: Uncategorized | Tags: Andy Davis, Gene Barge, Stony Island, Susanna Hoffs
In addition to bringing Syl Johnson to Los Angeles for his first show there in over 30 years (BTW: it’s almost sold out, so if you want to go, jump on those tickets now), Numero is immersing ourselves fully in the Southern California experience and throwing a film premiere. Sorta.
The first film by acclaimed director Andy Davis (Under Siege, The Fugitive, Holes), Stony Island follows the rise of a fictional working Chicago showband at the close of the ’70s. Shot entirely in Chicago—largely without permits—the film features a legion of classic Chicago players, including Gene Barge, Phil Upchurch, Larry Ball, Richie Davis, Tennyson Stephens, Ronnie Barron, and a young Susanna Hoffs, alongside Dennis Franz and Rae Dawn Chong.
We’ve been talking to Andy about reissuing the film for years, but have never come to any kind of accord. He has graciously allowed us to screen the original 35MM print for the first time in Los Angeles in over 30 years. Our friends at Cinefamily are co-hosting at their Silent Movie Theater.
The details:
Stony Island
February 10th
10:30PM
The Silent Movie Theater
611 N Fairfax Avenue, Los Angeles, CA
Additionally, Andy Davis will be doing a director’s Q&A, and Numero will DJ on the Cinefamily patio for a few hours after. The theater only holds 150 people, and there will not be a second show. If you want to go, it would be best to secure your tickets now.
Still not convinced? Watch this trailer from 1978:
On Numero’s very first release, Eccentric Soul: The Capsoul Label, label owner Bill Moss told of his musical meeting with Dr. Martin Luther King Jr. [citation needed]:
“I had the pleasure of meeting Doctor King. What’d I say? Sock it to ‘em Soul Brother! He was down in Alabama doing his thing. Do it again! Sock it to ‘em Soul Brother!“
Solid advice, from one Soul Brother to another. In reverence of Martin Luther King Jr., Numero is offering a free download of this occasion-appropriate tune from our catalog.
Click here to download “Sock It To ‘Em Soul Brother” by Bill Moss, FREE.
On Saturday, January 28th, Eula Cooper will join the scores of soul luminaries to have played Brooklyn’s celebrated Dig Deeper party. Cooper was featured prominently on the cover of Eccentric Soul: The Tragar and Note Labels , and is sure to play a host of hits, originally minted on these robust Atlanta labels. For fans of soul records and the artists that recorded them, Dig Deeper is a must, should you find yourself residing in—or just visiting—New York City. To avoid getting left out in the cold (like numerous New Years Eve revelers), order your tickets here.
Eula Cooper backed by Meah Pace & the MAP Legends
January 28, 2012 @ Southpaw
125 5th Ave, Park Slope, Brooklyn, NY
$12 adv / $15 doors
If your feelings for this would be best expressed on Facebook, there’s a link for that, too.
Filed under: Office Antics
The Numero house cat, Kittles loves our T-shirts, probably more than you do.
Filed under: Methodology
In anticipation of our upcoming night at the Hideout, we thought we’d share a recent interview conducted by Mark Bazer for his Interview Show, conducted—conveniently enough—at the Hideout a few weeks back. Guaranteed to be the least or most informative 14 minutes of your day, depending upon your employment situation.
