Numero Group: By The Numbers


Arriving May 13th: NUM052 Ned Doheny: Separate Oceans
January 22, 2014, 11:53 am
Filed under: Ned Doheny

Ned-lo-res

With no less than a mansion, a state beach, and a three-mile stretch of road bearing his fabled family’s name, Ned Doheny easy-glided into the 1970s on a crest of wealth and privilege. Signposting Ned’s sojourn through the LA recording industry were Jackson Browne, Glenn Frey, Don Henley, Chaka Khan, Graham Nash, “Mama” Cass Elliot, Bonnie Raitt, and David Geffen—each a household name both inside and far from southern California. And while no bust of Ned Doheny appears alongside those of his Laurel Canyon brethren in the pantheon of classic rock, it’s due to no lack of songwriting or recording chops.

After Doheny and his buddy Jackson Browne were expelled from Elektra’s failed recording ranch, he and his Nudie-decked Canyon cohorts would go on to form the bedrock of Geffen’s Asylum label. But while his peers were looking east to Bakersfield for inspiration, Ned was applying skills foraged under the tutelage of classical guitar god Frederick Noad and west coast post-bop jazzer Charles Lloyd. Rolling Stone called his self-titled 1973 debut, “a sort of Southern California Astral Weeks,” but that complimentary comparison brought few copies of the album to Tower on Sunset’s cashiers and Doheny was dropped unceremoniously.

Two of Ned’s most enduring compositions were written during his free agency. The tongue-in-cheek “Get It Up For Love” began as a rollicking folk number, only to be stretched out by the likes of David Cassidy, the Fabulous Rhinestones, Johnny Rivers, Tata Vega, and Ned himself on his sophomore album Hard Candy. Also appearing on the Steve Cropper-produced album was “A Love Of Your Own,” co-written with Average White Band’s Hamish Stuart, and covered over the coming years by the Ebonys, Melissa Manchester, Millie Jackson, and AWB. Despite featuring a who’s who of California heavyweights, including David Foster, JD Souther, Don Henley, Glenn Frey, Linda Ronstadt, HB Barnum, and the entire horn section for Tower of Power, the 1976 album was no match for Columbia’s real blue eyed priority Boz Scaggs, whose “Lowdown” battleship blew Ned’s cutter out of the water. His last taste of American chart success would come in 1981 via “What Cha’ Gonna Do For Me,” another cowrite with Stuart that Chaka Khan took to the top of the charts.

Over the last three decades, Doheny’s albums have slid in and out of print on LP and CD, budget jobs without any involvement from the self-described “avatar for casual vulgarity.” Separate Oceans examines Ned Doheny’s first ten years adrift in song, pulling together choice album cuts and 11 previously unissued demos. An 8000 word essay is illustrated by images from the archives of noted rock photographers Henry Diltz, Moshe Brahka, Clive Arrowsmith, and Gary Heery, creating the first ever overview of this unheralded marina rocker.

The 19 track CD, double LP, and digital release will find it’s way to finer retailers on May 13th, 2014.

Track list:

1. Get It Up For Love
2. Each Time You Pray
3. What Cha’ Gonna Do For Me (with Average White Band)
4. To Prove My Love (Vocal version)
5. Labor Of Love
6. A Love Of Your Own
7. I’ve Got Your Number (Demo)
8. If You Should Fall (Demo)
9. When Love Hangs In The Balance (Demo)
10. Fineline (Demo, featuring Glenn Frey and Don Henley)
11. On And On (Demo, featuring Glenn Frey and Don Henley)
12. I Can Dream (Demo, featuring Glenn Frey and Don Henley)
13. I Know Sorrow
14. Standfast
15. A Love of Your Own (Demo)
16. On The Swingshift (Demo)
17. The Devil In You
18. Love’s A Heartache (Demo)
19. Get It Up For Love (Demo)


2 Comments so far
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Nice.

Comment by princeasbo

[…] Separate Oceans, Numero Group’s new collection of demos and selections from Doheny’s first three albums (1973’s Ned Doheny, 1976’s Hard Candy, and 1979’s Prone), exemplifies his lineage and excels as a document of West Coast yacht rock and glide. It also reveals curious kinks in Doheny’s smoothed out sound. Though his debut shares some ground with Carole King or Todd Rundgren’s folk pop (and its cover features Doheny decked out in a Nudie suit), he quickly moved to incorporate Southern strut and heady East Coast jazz fusion. […]

Pingback by Aquarium Drunkard » Los Angeles Royalty :: Ned Doheny’s Separate Oceans




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