In the midst of combing through our office to find long lost goodies to share with you at our annual Numero Pop Up store, we found something exceptionally exciting. Housed in an unassuming black sleeve with the gold stamped CES logo, this 12” is the very first Numero release on vinyl. Back in the summer of 2006, our fledgling label had only nine CDs under our belts, and we were unsure of the viability of releasing things on vinyl (oh how times have changed!). After fielding many fan requests, a run of 100 copies (with no test pressings) were made featuring two of the most dance-friendly cuts on Belize City Boil Up, plus a pair of re-edits by Earwig. Each copy was hand stamped, includes a printed insert and resides inside a dead-stock CES sleeve.
Eventually re-packaged in a “Numero Disco sleeve” and released as +001 in our disco 12″ series, Lord Rhaburn Combo / Jesus Acosta & The Professionals – Disco Connection / Guajida is officially out of print on that format as well.
Folks coming out to the Numero Pop Up shop can have their chance at one of the three recently unearthed copies of this true rarity for the collectors price of $50.
The Numero Pop Up Shop is taking place April 19th, 2014
2579 N. Milwaukee Ave. Chicago, IL
Working with Alfonso Lovo on the release of his psychedelic masterpiece La Gigantona has been a pleasure, to say nothing of the history lesson one gleans through first hand accounts of communism’s Latin American land grab. It was the same Sandinista forces that sent bullets through Lovo’s young frame on a hijacked jet in 1971 that would send Lovo packing for the hills of Honduras at the decade’s end. Once rebel forces took control of the government, Lovo loaded a van and a limo with instruments, rations, and the La Gigantona acetate, abandoning countless photos and keepsakes from his musical youth. For this reason, finding period images of the multi-instrumentalist has been difficult.
This photo was our originally intended cover shot, first appearing in the Miami Herald in August of 1987 as part of a media blitz retailing to Lovo’s political summer smash, “Freedom Fighters.” Several calls to Miami Herald alums, the first of which had been incorrectly credited as the responsible photographer, revealed nothing but a cold trail of grainy microfilm.
This recently excavated photo was taken at the Ruebén Darío Theatre in 1972. We felt it not only looked like Numero footage, but better encapsulated the musician featured on La Gigantona. Look for this image come September, when the CD/LP touches down at a democratically run record store near you.
Filed under: Alfonso Lovo, Cult Cargo, Eccentric Soul, Newsworthy, Subscription
Attention, sonically adventurous LP subscribers! Put that Pisces record aside, tuck Belize City Boil Up back in its sleeve and try to live without Johnny Lunchbreak for a moment; the second half of the Numero LP Subscription is about to take up camp in your earhole and we are genre-rich this time around. This isn’t just something for everyone, it’s something for you. That’s right, we know who you are. As the series unfolds, you’ll be looking for five new ways to say, “holy shit.” And that’s without having to remind you you get 15% off catalog in any format.
Enough already, this is happening soon to a turntable near you:
NUM004 Buttons: Starter Kit 2LP
Our entry-level power pop compilation features 22 songs from the original, long out-of-print Numero 004, plus two bonus cuts, new liners, 22 separate sleeve repros with rare photos and ephemera tucked into a 7″ vinyl bag and housed in a spot varnished, thick-as-a-brick gatefold sleeve.
NUM044 Buttons: From Champaign to Chicago 2LP
A sugar-coated tribute to the state Numero calls home, From Champaign To Chicago is a 19-track survey of Illinois’ cheapest tricks, beginning in 1973 with Peoria outliers the Jets and ending in 1987 with Romeoville’s Julian Leal and his Dick Clark-approved “Get Away.” From Champaign to Chicago connects the various micro power-pop scenes that once pockmarked the now wrinkled face of the Land of Lincoln.
NUM046 Cult Cargo: La Gigantona LP
The son of a prominent Nicaraguan politician, Alfonso Noel Lovo was a choice target for the Sandinista rebels who hijacked his homeward flight from Miami in December of 1971, ultimately putting several rounds through the talented musician’s torso and hand. After several years, and as many surgeries, he would break new ground on this psychedelic swirl of Latin jazz and pan-American funk with his musical partner, percussionist Jose “Chepito” Areas of Santana fame. Long unavailable, La Gigantona has lived its forty years lost in the grooves of a single acetate. Imagine a Nicaraguan take on Herbie Hancock’s Afro-jazz masterpiece Mwandishi with some of the most penetrating, left-field guitar you’ve never heard.
NUM003 Eccentric Soul: The Bandit Label 3LP
Our post-nascent number two in the Eccentric Soul series, Bandit gets epic as we further dissect the improbable world of Chicago’s Arrow Brown and his near-cult of musicians, singers, pimps, prostitutes and would-be child stars. Since its original issue nearly 8 years ago, we’ve unearthed more story, more photographs and yes, more music. An extra lp’s worth of music, in fact, accompanied by a 12″ by 12″ 40 page bound book containing a 20,000 word essay and dozens of unseen photographs and ephemera. A final, definitive edition of one of Chicago’s most eccentric soul producers.
Medusa S/T LP
While it teetered from the cliff of Sabbath to the canyon of prog, Medusa’s self-titled debut LP never saw the inside of a record bin. Regulars on Chicago’s ’75 to ’78 rock club scene, this multi-gendered, semi-coven brought their dark vision on weeknights to dirt-bag pleasure palaces like Tuts and The Hanger. Housed in a black velour LP jacket with the truly amazing Medusa logo embossed in red and gold, Medusa finally gets a proper debut, bringing back acid-tinged, classic-rock riffs to Numero fans in search of blood.
Tease yourself by listening to the below:
If there is $120 in your bank account, you can sign up here.
The son of a prominent Nicaraguan politician, Alfonso Noel Lovo was an obvious target when Sandinista rebels hijacked a Managua-bound flight from Miami in December of 1971, ultimately putting several rounds through the talented musician’s torso and hand. After several years, and as many surgeries, he would break ground on this this psychedelic pastiche of Latin jazz and pan-American funk, recorded in his nation’s capital in 1976. The binary stars of the sessions would be the agile Lovo and percussionist Jose “Chepito” Areas, who’s timbale work can be heard on watershed records by Carlos Santana, including the Latin-rock milestone, “Oye Como Va.” Lovo’s unreleased masterpiece, combining the talent’s of Nicaragua’s most notorious players, recalls at once the spiritual funkiness of Herbie Hancock’s Mwandishi, the studio tricknology of Lee “Scratch” Perry, and the dense propulsion of Billy Cobham’s Spectrum. Alfonso Lovo y Chepito Areas’ La Gigantona will be available this Fall as part of our Cult Cargo series.
Filed under: Grand Bahama Goombay, Syl Johnson | Tags: Smokey 007, Syl Johnson
Last year when we issued Syl Johnson: Complete Mythology, we pressed up a 45 of two obscure Syl covers and tossed them in free if you mail ordered the record (we still have some). We had made a short list of covers, and desperately wanted to included a smoking version of “Same Kind of Thing” by Smokey 007 & the Exciters. More studios followers of the Numero Group may recall that Smokey was both the cousin and chief rival of Jay Mitchell, battling fiercely for the crown of top performer in the Bahamas in the 1970s. Alas, Smokey is dead and the 45 was impossible to source. Today, our very own Rob Sevier brought home a copy of said 45, and we’ve added it to the Numero vault of curiosities. Give a listen below:
Filed under: Ebirac
The recorded legacy of Carlos “Caribe” Ruiz was captured in great detail on the compilation Cult Cargo: Salsa Boricua de Chicago. What is impossible to capture is the live show. It can only be experienced live, in person. For the last few decades, since his tragic and premature passing in 1987, the orquestas Caribe sponsored, managed, and led, have remained dormant. Their members spread to the four winds (meaning, in this case, the suburbs of Chicago, for the most part) and joined or formed other orquestas and small ensembles.
This is far from the first time that former members of Ebirac orquestas gave played salsa together, but this may be the first time they are assembling to revisit some of their old repertoire. Tonight, as part of the 7th Annual Printer’s Ball at Columbia College, the Ebirac magic returns to Chicago. Featuring Tony Morales (ex-Tipica Leal) on trombone, Arturo Vasquez (ex-Union) on second trombone, Jimmy Hernandez (ex-Justicia) on keys, Willie Gomez (ex-Tipica Leal) on vocals, and David Arroyo (ex-Tipica Leal) on congas.
In all the hub bub of Record Store Day, our pop-up shop, and Pressed At Boddie, we sorta spaced out that we released a record on Tuesday. At least the CD version of it anyway.
Salsa Boricua De Chicago is the first entry to our Cult Cargo series in over four years, standing the concept on its head entirely by pushing world music through an American keyhole. Culled from Carlos Ruiz’s miniscule Chicago-based Ebirac label, Salsa Boricua De Chicago features fifteen tracks from Orquestas La Solucion, La Justicia, Under The Sun, and Tipica Leal (along with the Ebirac All-Stars, Ramito, and La Calandria). Using the original master tapes, we’ve painstakingly created the alternative to New York’s Fania label.
No expense was spared in the packaging, which includes replicas of the four Ebirac LPs and a 60-page perfect bound book stuffed with photos, flyers, paintings, and an absurdly detailed essay by our own Rob Sevier.
If none of this is convincing, give this All Things Considered piece that ran yesterday a listen: