Numero Group: By The Numbers

Placing Apocryphal Hymns
January 24, 2013, 3:53 pm
Filed under: Good God!

Our upcoming 040 Good God!: Apocryphal Hymns has plans for swinging its listeners wildly, from the shockingly singular sounds of Chester Lewis’s guitar prayer to the one-size-fits-all inspirational imagery of classic custom LP covers like this one:


But as we plow through the final preparations for our 9000-words-strong set of liner notes, we realized that you hardly need to hear the contents of this record to get a fairly serious sip of the juice. The insanely colorful place names involved kind of do that just fine. Really try to see and hear these now, or it won’t work right:

• Belize City, Belize

• Idar-Oberstein, Germany

• Stuttgart, Arkansas

• Waterproof, Louisiana

• Poole Deading, Mississippi

• Wilberforce University

• A Pepsi-Cola bottling plant

• A Cadillac factory line

• Klondike (an urban American neighborhood, not a gold-laden Canadian frontier)

• 99 Notre Dame Avenue

• Farm to Market 274 Road

…and last but not least:

• 10053 South Kumquat Street

You can’t make shit like this up…but do read about it, starting on 5/21 when Apocryphal Hymns hits shelves. We won’t even go into surnames here, except to say this: M. Fugazy played a mean synth.

Church Bulletin: God’s Band
January 16, 2013, 2:04 pm
Filed under: Good God!


God’s Band’s 1997 low-rider gospel-soul anomaly “Come Holy Spirit” took a rather circuitous path to release. Built around the Arostigui brothers Alex, Richard, David, and Daniel, ministering on guitar, vocals, drums, and hand percussion and timbales, respectively, and featuring bassist Jimmy “Jam” Sabala, vocalists Larry Vigil and his brother Aron Salas, and keyboardist Ray Palacios, God’s Band erupted out of Victory Outreach’s San Jose, California branch, then located at 99 Notre Dame in 1981. A church-only group, the octet cut a series of low-fidelity soulero originals, including “Nobody Like My Lord”, “We’re Going Home” and “Come Holy Spirit” before disbanding two years later.

Fifteen years later Alex Arostigui and Aron Salas both had taken up with the Christian oldies, street evangelism band, Full Effect but a desire lingered to return to their abandoned originals from the previous decade. Holed up in a make shift recording studio in the church offices of Victory Outreach, then located on Monterey Road, Alex and Aron revisited their past with a new cast of characters. In addition to Alex’s 13-year-old son, Isaac Arostigui on percussion, God’s Band 2.0 consisted of bassist Vince Sorrentino, keyboardist Eddie Zepeda, drummer Robert Gaeta, vocalists Myrna Geovany and Clara Maestas. An album’s worth of tracks were recorded over the summer of ’97, including a remake of “Come Holy Spirit” and issued as Going Home: Cruisin With The Oldies—Volume 2 the following fall on cassette and CD. Sold exclusively through Victory Outreach International conferences and services, the limited disc and tape disappeared in a matter of months and was then promptly forgotten. At least internally.

Elsewhere, Cruisin with The Oldies Volume 2 was being discovered by an audience more interested in cruising than praying. God’s Band’s “Thank Him For His Love” turned up on a bootleg Gangster Soul compilation CD—the only modern recording among 20 sweet soul non-hits from the ’60s and ’70s. A few years later a 45 of mysterious origins and questionable fidelity found its way to market. That single, issued on the V.O. label, was credited to Brother Aron Salas on “Thank Him For His Love,” and Sister Lydia & Sister Merna on “Come Holy Spirit.” But there was no Sister Lydia, and more importantly, no mention of God’s Band. The leap from tape to CD to 45 gave the songs a dicey fidelity, adding age and character to what was in all reality a fairly recent recording. Isaac Arostigui, now half a life time removed from those sessions, harbors no ill will: “It’s a blessing these songs made it this far. God always had big plans for this music.”

“Come Holy Spirit” will be available on 040 Good God! Apocryphal Hymns in May.


Church Bulletin: The Gospel Clouds (040)
January 10, 2013, 12:55 pm
Filed under: Good God!


Good God! Apocryphal Hymns is a left-of-center collection of gospel tunes in a variety of moods, from saintly to joyously insane. The Gospel Clouds of Oakland, California fall on the smoother side of the spectrum, minting this breezy original in 1967. The Gospel Clouds remained industrious through the ’60s and ’70s, integrating the Bay Area’s talent pool and sound palette with words of praise for several independent gospel releases. Amidst signing Pacific funk progenitors like Merle Saunders, Pleasure, and Side Effect, Fantasty Records made the Gospel Clouds an offer that the group ultimately declined: “If you change the word ‘Jesus’ to ‘Baby’,” recalls bandleader Leonard Lothlen, “we’ll give you $15,000 right now.”


“Let us Pray” by the Gospel Clouds from Good God! Apocryphal Hymns, available this summer on CD and 2LP. 

2013 Subscription Needle Drop
December 7, 2012, 10:45 am
Filed under: Dynamic, Eccentric Soul, Forte, Good God!, Subscription


We broke news of our annual subscription last week. Now, you too can hear what we’ve been playing in the Numero office over the last six months as we developed these projects.

Track list:

01 .Commands “No Time For You” (From Eccentric Soul: The Dynamic Label CD/2LP)

02. Cave Dwellers “Run Around” (From Cave Dwellers: Run Around+3 2×7″)

03. Pretty “Mustache In Your Face” (From Pretty: Mustache In Your Face+3 2×7″)

04. Wicked Lester “Dogs Of War” (From Wicked Lester: You Are Doomed+3 2×7″)

05. Walter Lewis “I Have Love At Home” (From Purple Snow 2CD/4LP)

06. Robert Vanderbilt “Message Especially From God” (From Good God! Apocryphal Hymns CD/2LP)

07. Capitalaires “Glory, Glory” (From King Bullard Version LP)

08. Marva Whitney “Daddy Don’t Know About Sugar Bear” (From Eccentric Soul: The Forte Label CD/2LP)

09. Mickey & the Soul Generation “UFO” (From The Complete Mickey & The Soul Generation 3LP)

Buy the CD subscription here.

Buy the LP subscription here.

Survey Says? T.L. Barrett
November 6, 2012, 8:17 am
Filed under: Good God! | Tags: ,


We asked 100 gospel music enthusiasts who they thought would be a great contestant on the Family Feud. The top ten answers are on the board:

10. Sensational Five Singing Sons

09. Pilgrim Wonders

08. Fern Jones

07. Voices of Conquest

06. Sacred Four

05. Mighty Walker Brothers

04. Calvin Cooke

03. Preacher & the Saints

02. Shirley Ann Lee

01. T.L. Barrett

We’re not quite sure how this happened, but last night T.L. Barrett and family were on the Family Feud. No word yet from the Barrett camp on if they won or who played the Fast Money round, but we’ll keep you posted.

In other gospel news, we’ve got a brand new compilation of celestial burners being primed for the spring. NUM040 Good God! Apocryphal Hymns drops the pretext of funk entirely to explore songs and sounds outside the gospel canon. Prepare to convert.  

Like A Ship… without a Numero
August 30, 2010, 9:37 am
Filed under: Good God! | Tags: ,

A few years ago when we began working on 030 Good God! Born Again Funk, we pulled in the entire eight song album by Pastor TL Barrett, not knowing what we’d do with the seven other tracks. Following the issue of the above compilation, our friends at Light In The Attic got in touch wondering about the status of those other seven tracks. Having no immediate plans for them, we did what was best for the album and sub-leased it. Eight months later, this arrived at our door:

We’ve got the LP and limited bonus 45 available on our site now for $18 (postage paid), or for a limited time you can get Like A Ship, Born Again Funk, and A Gospel Funk Hymnal on LP for the retardedly low price of $45 (postage paid).

Dear God 2.0
May 24, 2010, 12:23 pm
Filed under: Good God! | Tags: , ,

Fans of Trevor Dandy may notice the absence of “Is There Any Love”‘s iconic break in the Roots’ update of the Monsters Of Folk song “Dear God.” That was a mouthful. This cover is slated to appear on the forthcoming Roots LP, How I Got Over, due out sometime this summer.  Listen here:

For those wondering how this affects the well being of Trevor and the song’s cowriter Paul Zaza, you can rest easily with the knowledge that they retained a 25% writer’s share in the song.